Monday, June 29, 2009

Artist Profile: Amber Coppings of am textiles



Tell us a bit about yourself name, location, the personal stuff.

My full name is Amber Dawn Coppings. Currently, I am located in Pittsburgh, PA which is really just a small town in a mid-size city atmosphere. My yard is connected to a big green space that is host to deer, owls, woodpeckers and a lot of bunnies.



Apart from creating art, what do you do?

I am the Education Coordinator for Calliope: The Pittsburgh Folk Music Society. We have a School of Folk Music and also develop Outreach programs that provide music education for children.



What first made you want to become an artist?

My mom always encouraged creativity, so I sewed, crocheted and made pretty pictures when I was young. However, it wasn’t until I was a senior in high school and took a sculpture class that I realized that making art was something I could not live without. From then on, I have pursued art-making and a career in the arts relentlessly.


Please describe your creative process how, when, materials, etc.

My main passion is to create three dimensional textures with cloth using sewing, or fabric dyeing techniques called Shibori. Shibori is a general term for hundreds of different Japanese fabric dyeing traditions that use objects to create design on cloth. Think tie-dye times 12 using wood and clamps, sewing techniques and whole lot of patience. While traveling in Japan, I saw many examples of contemporary shibori where the artist left the three dimensional texture of the objects used to dye the fabric in the cloth, though the objects themselves were taken out of the fabric. I was hooked. I started experimenting and I have since created several lines of work that celebrates Dimensional Cloth. Amtextiles and its signature Silk Organza Bubble Wraps use marbles, bicycle parts, vintage buttons and other objects to create ethereal and dimensional art-to-wear. My other line is Xmittens--fleece and recycled fabric accessories that have unusually sewn 3D thread ridges.



As often as possible, I translate these shibori and dimensional cloth techniques into non-wearable art as well. Currently, I am working on a Textile Art Installation for the Mattress Factory in Pittsburgh. The Mattress Factory is world-renowned for its focus on art installation as an art form. I am really honored to have been invited to create a piece! The working title is “Echoes of Objects”. I am creating silk organza “camouflage” panels (hand-dyed and sewn) that will be strung all over the space. Each panel has a series of shapes embedded within the fabric that were created using donated objects such as old toys, broken wrenches, remote controls that don’t work, things that we keep around that have no purpose and we don’t really see anymore. In a sense, they are camouflaged by all the stuff we have in our lives.



To help me create texture, I have a fancy serger (for silks and jersey), an industrial serger (for fleece) and a regular sewing machine. It can become a sweatshop in here in summertime as I get ready for the holidays! My fabric dyeing studio is in the basement, or sometimes I go outside to dye fabrics. I love color very much and it is great to see the beautiful dye colors unfold themselves in the buckets. I use low impact fiber reactive dyes that are non-toxic and create vibrant, permanent colors on the fabric. As I stir the dye bath buckets, I feel very connected to previous cultures that considered creating color on fabric an art form and necessary for their civilization.



My day job is part time and flexible (thank goodness) so I do get 3-4 days a week in my studio. My studio days go something like this: Wake up-computer time-putter around and make lists-make dye baths-go outside-sew-sew-sew-wash and hang fabric to dry- pet the cat and eat- repeat.


What artists have influenced you and inspire you to create?

Yoshiko Wada is a huge influence for me. She almost single-handedly brought back the shibori Japanese art form from near extinction. She has written many informative books that inspired me to start my journey with Japanese shibori dyeing and cloth manipulation methods.



Where else can we find your work and connect with you online?

The best places online are am textiles, and xmittens. For stories and documentation of my artistic process visit my blog, and I am on Flickr. If you are in the Pittsburgh area, visit the Pittsburgh Center for the Arts Shop and/or Patricia’s Boutique in Apsinwall. I travel around and sell my work at shows, so definitely check my blog to see what is coming up!


Images copyright am textiles, copyright 2009.


Thursday, June 25, 2009

Artist Profile: Blair Lambert aka Bestiary and Bestiary Ink



Tell me a bit about yourself name, location, affiliations, the personal stuff.
My name is Blair Lambert. I'm originally from rural Pennsylvania but have been bumming around NYC for the past several years. I earned my undergraduate degrees in Museum Education and Fine Art at Penn State. Currently, I'm living in Fort Greene, Brooklyn and I adore it. I'm a graduate student at The Pratt Institute studying Art and Design Education.


Apart from creating, what do you do?
When I'm not sewing, drawing and painting, I'm teaching art to children at a studio right here in Brooklyn.


What first made you want to become an artist?
I don't feel like I had much choice in the matter... I'm not talented in much else. It's a similar to the urge to scratch an itch: I have to use my hands and create.


Please describe your creative process how, when, materials, etc.
I create in bursts. I'll have a few days of massive productivity and then I'll be completely uninspired for a while. My bedroom is my studio. I have my sewing machine, supplies, inventory and work table around my bed, it makes for a great commute to work in the mornings. My handbags are inspired by the fabrics I use. Each is made of a piece of recycled upholstery scrap. I love pairing patterns and colors and it's those combinations that inspire the applique design. My drawings and paintings are all done with Micron pens (which I covet!) and watercolors.


What artists have influenced you and inspire you to create?
My grandmother had the most amazing collection of sewing supplies and notions, her hording and good taste inspired me most. I love classic children's book illustrators like Arthur Rackham and Beatrix Potter.


Where else can we find your work and connect with you online?
My shops for stationary and fine art are Bestiary Ink and Bestiary for handbags and totes. Any inquires can be sent directly to me via email here.

Images copyright Bestiary Ink and Bestiary, 2009.

Monday, June 22, 2009

Artist Profile: Leah Daehling of Moxie Photo and Design


Tell us a bit about yourself; name, location, the personal stuff.
My name is Leah. I’m married to Brent. I’m the middle of 5 kids {that should
explain a lot} I am just now starting to understand {and appreciate} the
values my parents instilled in me. I’ve been to
Ireland, London, Paris and
Rome. And that’s in pecking order too. I can't wait to travel again. I used
to prefer working out to anything. But I am enthralled in Etsy, blogging,
photography, writing, networking, creating, and vintage hunting. I simply
love it. I am kinda shy about it all too. I am just now able to say "on my
blog." I want to paint our kitchen cupboards white. The relationships I make
through my blog and Etsy amaze me. I would probably never meet any of them,
yet I know about them, what they create, how they write, and actually have
met some of them. If you think about that, it's pretty amazing. I failed
miserably {3 times} at making banana bread. And I probably won't make it
again. I love drawstring pants. Oh...and I like to make things.

Apart from art what do you do?
I just don’t know if there is an official apart from art part of my day. my
full time gig: graphic designer for a marketing firm working with non
profits. I’m involved in our church. Any activity is usually more fun when
Brent is around. I’m one of the first to sign up for a family event. And
have been known to create a reason for us to get together. But day after
day, my brain works continuously. Thinking about a blog I will write. Taking
a photo for my blog. Deciding what to list next. Commenting on blogs. Making
things in my studio. Scratching out ideas in my idea book, going to garage
sales, auctions and thrift...no matter what I am doing, I will somehow

connect it back to my art at some point.

What made you first want to be an artist?
I don’t think I have ever called myself an artist. It doesn’t occur to me
that that’s what this {opens arms towards all my art and supplies and
finished pieces) means. For arguments sake, we’ll say I am one. It just
happened, I suppose. My grandma painted, my mother is a photographer and
genius seamstress. My sister watercolors….but those are just things they did
among countless other things. I didn't sit down in a cafe somewhere and
contemplate my coming out as an artist over a soy latte. I just realized I
have a skill and have taking a liking to it and honed it and find it
energizing and a source of great happiness.



Please describe your creative process...
I struggle with actually putting pen to paper when it comes to my process.
Since it differs so much, I will give random facts and you can piece it
together for a process of sorts. I have a journal of lists. So many lists.
Ideas, tasks to be done. for life and art. And both. For tonight and this
weekend. I am neurotically methodical about some things and could not care
any less about others. i have learned to listen to my moods and therefore
know when I am in the mood to take photographs or write a blog or write an
Etsy listing or stand at my art table or sit down and putter with the sewing
machine. and I don’t force it anymore. I used to set a certain block of time
to make greeting cards. and if I wasn’t in the mood, it would be so hard!
Now, when I have my sassy molassy mood, I know I should be making my cheeky
cards or writing a cheeky blog post, not taking photos.



What artists influence your work?
I appreciate all historical art, but inspiration usually comes by way of
current artists. Mostly, kitchen table artists. And living room floor
artists. And converted basement corner artists. You know one...it may be
you. You love making things so you find a place to make things. And the
stuff you make, I am continually amazed. Perusing Etsy always means
inspiration. Looking around too long means inspiration overload. There’s
some crazy inspiring people at kitchen tables right now making something
that will inspire me tomorrow.

Where else can we find your stuff and connect with you online?
I have my goods at various small galleries and shops in Nebraska. The best place to see
what is new and available is my blog. And either of my Etsy shops, moxie photo and design or moxie thrift. I'm also on Facebook and Twitter.

Images copyright Moxie Photo and Design, 2009 -- thanks, Leah!


Tuesday, June 16, 2009

Artist Profile: Galit Barak Jewelry Designer


Tell me a bit about yourself name, location, affiliations, personal stuff.

My name is Galit Barak, a bit about my name: "Gal" in Hebrew means wave, "Galit" is the feminine form for this word and only used as name. It's also the shorting of my grandmother's name "Margalit" which means, "pearl". "Barak" in Hebrew means lightning. I'm 22 years old from Israel. I live in a small town next to the Mediterranean Sea.


Apart from creating what do you do?


I work as a part-time Au Pair for three adorable kids; try to swim and to cook something tasty everyday!

What first made you want to become an artist?


I always loved to create, since I was a kid I have drawn, painted and crafted practically anything I get my hands on, and I studied fine arts in high school. I learned to knit and crochet and decided to explore the technique a bit more. I started by using simple metal wires and after I gained confidence, I graduated to sterling silver and gold-filled wire.

Please describe your creative process how, when, materials, etc.

I don't really have a formal process. I see the stones, the pearls and the wire and I start to play. I experience and make something new every time. If I like the result, I try to sell it and then I make more pieces.

What artists have influenced you and inspire you to create?


I really love painters! I admire the work of Klimt, Van Gogh and Kandinsky, but I'm not yet familiar with any great jewelry designers.

Where else can people find your work and connect with you online?

My Etsy shop, Galit Barak Jewelry Designer, my blog, and on Twitter. If you are an Israeli or come to tour Israel you are welcome to visit my studio and try on my jewelry in person!

Images copyright Galit Barak - copyright 2009.


Friday, June 12, 2009

Artist Profile: Ingrid Blixt of Ingrid Art Studio



Tell me a bit about yourself name, location, affiliations, personal stuff.
Ingrid Blixt, visual artist currently living in
Upper Peninsula of Michigan, Escanaba. I am originally from Romania, where I grew up and attended school at the University of Art and Design, Cluj Napoca. I moved here in 2001.

Wings - original mixed media wall art, set of 9

Apart from creating art, what do you do?
I work a lot with the local art center, William Bonifas Arts Center from Escanaba, which is a wonderful facility for such a small town, and where I recently had a solo show (April 2 - 25, 2009). I also teach, have workshops and I freelance in graphic design and web design. For the past months I'm mostly home taking care of our baby girl, Isabela - she's 9 months old, and when I have some spare time I go in the studio to do some work.

Ave Maria - original encaustic and mixed media

What first made you want to become an artist?
I think it was exposure to the art where I used to live, in
Baia Mare, viewing the public art and the work of local artists.

The Field II - fine art photograph

Please describe your creative process how, when, materials, etc.
The creative process is a two way street. I either start from images I already have, mostly photography, or I have certain concepts I want to translate in visual form and I start my search for the right imagery to express it. I usually work on several pieces at the same time, especially if I am using mixed media techniques. My primary technique is drawing because it lets me work fast, precise and very energetically.
Mixed media and photography let me be spontaneous and often give me instant gratification. The result of the encaustic medium always amazes me and makes me want to do mor. Byzantine painting (painting icons) lets me find myself.

The under layers of my town II - fine art photograph

What artists have influenced you and inspire you to create?
Well, that would make it a long list but I'll just name a few. When I started drawing in high school, many of my friends--who were incredibly talented and also became very good artists --influenced, helped and created a very fertile, conducive atmosphere to create. Hausi Cantermir, Mircea Suciu, Dan Vezentan, Zoltan
Bela, Adela Apahidean; they all live in Romania. My art teachers in high school and college made an unforgettable impression and surely had the greatest influence on my future in art. Famous artists include Igor Mitoraj, the Expressionists, and Tapiez.

Two Moons - limited fine art print

Where else can we find your work and connect with you online?
My web site and blog, Ingrid Art Studio
, my shop on Etsy, Vertin Gallery, and Art and Garden Gallery.

Original artwork and images used by permission - copyright Ingrid Art Studio, 2009.

Monday, May 11, 2009

Artist Profile: Claudine Hellmuth



Tell me a bit about yourself..
I live in Washington DC in the U Street area with my husband Paul and our fur-children, cats Mabel and Stanely. Of course I can never resist posting photos of my babies to my blog, so you're sure to see tons of pet photos there!



I have been creating art as long as I can remember. When I was a little girl, my mom would spread paper across the kitchen floor and set me down in my diaper with finger paints and let me just go crazy. When I was in high school I took extensive after school art lessons totaling about 20 hours a week to prepare for art college. I first went to the Columbus College of Art and Design in Columbus Ohio where they had a very strong foundations program, drawing and painting the figure. After my second year there I transferred and finished my BFA at the Corcoran College of Art + Design in Washington DC.



After graduation in 1997, I took a short course in web site design from George Washington University on web site design (at the time I had never even used a computer with a mouse). I somehow learned to code web sites by hand-- possibly out of fear that I would never be able to get a job. I moved back to Orlando where I worked for a small web design company. When it closed its doors I signed on at Cox Interactive Media.



Even while I was working at these jobs I was building my art business on the side, hoping it would grow enough that I could make the leap to full time artist. In 2001, after the Internet bubble burst, I was laid off and got my chance to go for it. I have been a full time artist ever since!



Apart from creating art, what do you enjoy?
Reading, napping, snuggling with my pets, and watching movies.

What first made you want to become an artist?
I never had a moment of realization that I wanted to be an artist. I have made things as long as I can remember, always took extra art classes when I was young and when it came time to choose my college it was a given that I would go to an art school. I hope to expand further into illustration and also licensing more of my artwork in the gift industry. I really enjoy illustration because I love the challenge of working with a theme and combining my vision with the needs of the assignment. I would love to animate my artwork, more advanced animation than what I have done for my ecards. I have always wanted to illustrate children's books, so that is a goal that I hope is in my future.


Please describe your creative process how, when, materials, etc.
Right now my studio is the second bedroom of our apartment. It's a combined studio/office with a computer on one side and all my mess on the other! My process for creating a custom artwork order or an illustration is different from when I am creating artwork for myself. When I am creating something for a client I start with their idea and work my way towards what I think will work. When I am creating artwork for myself I am often inspired by a photo or a phrase so I use that as a jumping off point for the rest of the piece. Except for custom art pieces, I use my own family photos and also my friends family photos. When I run out of those or when they aren't suitable, I "create" my own photo heads by combining 3 or 4 photo images together to "make" my own people. For example, I'll purchase vintage photos from ebay and then combine a nose from one person with eyes of another and a hair style of another person until I arrive at the look I want. This has been a lot of fun and it's very useful because then I can make sure the photo image fits with the context of the artwork.


What artists have influenced you and inspire you to create?
I am inspired by so many varied artists and sources. Folk artists--I love folk art! I am also inspired by retro 40's and 50's magazines and I love all the domestic ads, they are so funny.


Where else can people find your work?

*************************
Claudine is a nationally recognized collage artist, author and illustrator. She combines photos, paint, paper and pen into quirky, whimsical-retro collages that she calls Poppets®. Her artworks have been featured on The Martha Stewart Show, in Mary Engelbreit's Home Companion magazine, The New York Times, on HGTV's "I Want That!", on HGTV's Carol Duvall Show and on the DIY Network's program, "Craft Lab."

In addition to creating her artwork full-time, Claudine teaches collage workshops in the US & Canada, and she has written two books about her techniques, "Collage Discovery Workshop" and "Collage Discovery Workshop: Beyond the Unexpected." She has also produced three instructional DVD workshops and has a line of art supply products produced by Ranger Industries including paints, mediums and brushes.
Claudine Hellmuth Studio Products are for sale online at these locations: Somerset Shoppe, ScrapLovers, Joggles Online, Schmooze with Suze...and many more. Google for complete results.

All images are by and copyright of Claudine Hellmuth, 2009.

Tuesday, May 5, 2009

Etsy Profile: Sue aka LuLu Bug Jewelry

Tell me a bit about yourself..
My name is Sue and I'm in Santa Rosa, California, about an hour north of San Francisco. I've been working in the jewelry industry since 1992, first making other peoples stuff and at the moment my job is designing for a small manufacturer. I rediscovered my passion for making personal jewelry after taking a Precious Metal Clay workshop 1.5 years ago.


two little peas in a pod necklace - $68

Apart from creating art, what do you do?
Up until this year, my all consuming hobby was racing motorcycles! I did it for 7 years, against men on paved, twisty race tracks. I even have a few trophies and second place overall season finish to my name. Once my Etsy business started growing, I decided to focus on that instead, so no racing this year. Once upon a time (before racing) I traveled a lot. I hope to be able to do that again someday.


tiny little bird earrings - $32

What first made you want to become an artist?
I've loved art since I was little, the desire to create something has always been there. My mom is very crafty, so we were always making things.Please describe your creative process how, when, materials, etc.I'm trained as a traditional silversmith, but now I work entirely in Precious Metal Clay (PMC) which is silver in a clay like form. It was developed in Japan as a way to use silver reclaimed from manufacturing, and it's a green product. After I form a piece in the clay, it's fired in a kiln at 1650 degrees for two hours and the particles fuse, forming a pure silver object. It's kind of like magic! My jeweler's bench and kiln are right in my living room, it's very clean, unlike traditional silversmithing.

Right now I work 32 hours a week at my day job, and 40+ on my own work. I really like to work late at night, but this is causing me to be quite sleep deprived lately! There are so many things I want to try and experiment with, I never have a lack of things to work on. I usually have a list of developed ideas that I want to try, and sketchbooks filled with doodles and thoughts that I look through frequently.

What artists have influenced you and inspire you to create?
There isn't any one artist that stands out - I'm always looking at art, and when I see something that I like, I try to determine exactly what quality it is that I find appealing, and then think about how I might incorporate that into what I do. My main inspiration is nature, so I'm always looking around me. The possibilities are endless! I've been riding my bicycle to my day job lately, and find it's the best time to dream up new things to make. What looks like a bunch of dry weeds when zooming by in a car actually turns out to be beautiful shapes and forms when you're going by at bicycle speed. Just slowing down and taking a look around outside every day keeps the ideas flowing. There is beauty to be found everywhere, if you just look at things a bit differently. I try to express that in my jewelry.


Where else can people find your work?
In my Etsy shop, LuLu Bug Jewelry, on my blog, and Cosa Verde. All that keeps me really busy!

All images are by and copyright of LuLu Bug Jewelry, 2009.

Friday, April 24, 2009

Art History: Maxfield Parrish - Part 2



The year of his marriage also brought Parrish his first magazine cover commission withHarper’s Bazaar that began his artistic career, which endured over 50 years and helped define the Golden Age of Illustration and the American visual arts. His talent for illustration and skill with colors caught the eye of many publishers and his work was commissioned for book illustrations, calendars, greeting cards, product advertisements, candy boxes and print. His work appeared in three of the twentieth century’s most-loved, and best known children’s books: Poems of Childhood by Eugene Field (1904), Arabian Nights by Nora Smith and Kate Wiggins (1909), and the most beloved of the Parrish illustrated books, Knave of Hearts by Louise Saunders (1925).


The Knave oil on panel

Between 1904 and 1935, Parrish enjoyed a steady flow of requests for work and was revered as a celebrity when his commissions rose to $2,000 each. An absolute favorite with the American public by 1925; one out of every four households in the United States had a copy of one of his art prints displayed in their home. A survey taken at that time found him listed among the top three favorite artists along with Cezanne and Van Gogh. He was inducted into the Society of American Artists in 1897.


Garden of Allah oil on panel

Technique and Influence
Maxfield Parrish was an innovator in the use of luminous color. The color “Parrish blue”, used frequently in his paintings, was named in his honor. Parrish created a technique of glazing bright layers of oil color separated by varnish and then applied to a base rendering of a blue and white monochromatic under painting. He achieved depth in his paintings by using enlargements of photographs of figures or objects which he projected and then traced at half or full size. The next steps were to cut out and place the images on the canvas and then apply multiple layers of thick glaze. The result creates realistically sized subjects and very vivid colors which appear almost three-dimensional when viewing his original paintings.


Morning oil on panel

Another method invented by Parrish involved making a large piece of cloth patterned with a black-and-white geometric design, draping the cloth on a human, and then photographing the model. With a developed transparency of the photo projected on a white canvas, Parrish used graphite to color in any parts of the project that were to be black. The outcome was a completed painting of a figure wearing a precisely draped cloth with a unique pattern on it. No artist has duplicated the style of Parrish but he influenced many including Norman Rockwelland Andy Warhol.


The Waterfall (1930), Solitude (1930) - both oil on panel

The Landscape Painter
During the 1930s, their children grown and pursuing their own careers, and unhappy about Susan Levin living full-time in the studio with Parrish, Lydia left home to live alone, writing and painting during winters in St. Simon’s Island, Georgia. In 1931, after two winters in Arizona, Parrish decided to abandon his classic, “girls on rocks” theme and focused on painting landscapes. During this period, Parrish studied the hues of nature and applied even more intense colors to his work. A series of Great Southwest paintings include Night in the Desert,Desert with Water, The Grand Canyon, Pueblo Dwellings, Desert without Water (Cowboys), and Water on a Field of Alfalfa. He also produced a series of New England landscapes that were well received by the American public following the Great Depression and in the years leading to World War II. Many of his landscapes were printed on greeting cards, playing cards and in calendars published by Minnesota’s Brown & Bigelow Company from 1937 until 1962. Parrish also designed and painted a number of murals, on the walls of his own home and as decoration within famous hotels and bars across the country.


Evening Shadows, New Hampshire Hills oil on panel

The Last Painting
In 1961, Parrish finished his last painting, Getting Away from It All. The small oil on board shows a lone house on a high mountain peak surrounded by winter snow lit with the light of dawn. A small light burns in the window, and a fantastic light rises beyond the hill as if a beacon inviting the viewer to move from the safety of the home and go on to a higher realm. Parrish painted until he was 90 years old and died in 1966 at the age of 95. Each new generation rediscovers the magic and romance of Maxfield Parrish’s artwork and he remains the most reproduced artist in the history of art.


Getting away from It All (1960) oil on panel

Part 2 of a 2 part post--please click here to read part one from last week! To view a respresentative collection of works by Maxfield Parrish visit HERE.

Copyright Tina Pfeiffer 2009 - do not use the text in this post without my written permission.